Holmesless Network.


Erin, 20, Chicago-ish, journalism and English lit student, amateur swear-artist.

Hullo~ Welcome to my shameful blog. News, politics, movies, music, television- You name it, I got it. I love late-night television more than is probably healthy. Jon Stewart and Stephen Colbert make me ugly-laugh all over the place.

British television is my drug of choice. Sherlockian. Whovian. Watcher of Downton Abbey, Top Gear, anything with Gordon Ramsay, and more.

Mark Gatiss is the queen of my heart.

All that being said, I warn you: slash goggles are permanently affixed to my face. I will slash all the things, so if that makes you uncomfortable... You're in the wrong place.
Last year, the prestige movies were crowdpleasing enough to reach a wider-than-usual audience, and as a result the Oscar nominations married art and commerce in the way that they’re designed to do. (It wasn’t just “Inception” and “Toy Story 3″: “The King’s Speech,” “True Grit,” and “Black Swan” all grossed over 100 million dollars, and “The Social Network” and “The Fighter” both cracked $90 million at the box office.) But this year, no so much: There’s only one Best Picture nominee among the 35 highest-grossing movies, and the Oscar went, almost by default, to a movie that’s destined to become a trivia answer rather than a classic. “The Artist” and the Oscars - NYTimes.com (via wonklife)

(via wonklife)


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    Sorry, I suppose it should’ve gone to Extremely Loud & Incredibly Close.
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